Never let go.The music is rather unique for Infamous 2. So, for the sake of inclusion, and in an effort to celebrate some relatively recent classics of cinematic songwriting, we’ve chosen to commemorate 25 movie anthems from the last couple decades — to try to do this for the entire history of film would be borderline impossible — alongside the masterpiece that made the perils of Jack and Rose seem even more romantic. In some cases, these soundtrack songs are now more famous than the films they came from. Where some of us had our biggest moments soundtracked by Céline Dion and vaguely Celtic instrumentals, others grew up watching films that prominently featured tracks by Whitney Houston, Bruce Springsteen, and Eminem (to name a few).But look: Imogen Heap’s “Hide and Seek” may have gone on to soundtrack one of the biggest moments in television history (see: when Marissa shot Trey on The O.C.), but she also deserves credit as half of the duo who closed out Garden State, a movie about a sad man.So, no: “Let Go” wasn’t as big a moment as Natalie imposing her headphones on a strange dude in a doctor’s office, but it lent itself to the message that finding a person who truly “gets” you is magic. Frou Frou, “Let Go” Garden State (2004)Featuring 22 original pieces from the score, the infamous Second Son Original Soundtrack album showcases an exciting collaboration between veteran composers.To be honest, it was a toss-up between Frou Frou’s film closing anthem and that song by the Shins (that Natalie Portman believed would change Zach Braff’s life). If you like what you hear in the game, than you should get the soundtrack, you won't be dissapointed.25.
![]() Infamous 2 Ost Movie Anthems FromSixpence None the Richer, “Kiss Me” She’s All That (1999)It’s true: One of the best things to say about She’s All That is that it’s a movie that exists. (Which made their breakup even sadder.)23. So where most soundtracks become the platform for burgeoning indie acts, it was Once itself that brought legitimacy to a band that actually existed before its leads sought to tell a story. The thing is, the songs came before the film. While we know stars – Glen Hansard and Marketa Irglova – went on to fall in love and form the two-piece folk band, the indie hit Once offered a realish glimpse into the makings of their music and of their then-relationship. Glen Hansard and Markéta Irglová “Falling Slowly,” Once (2007)Fans of the Swell Season, this one’s for you. And while Despicable Me 2 wasn’t a failure by any stretch (its follow-up was released this year), Williams’s capacity to parlay a children’s franchise into an outlet for his own artistry is a reminder that decent pop hooks transcend genre.20. Which is a big deal, particularly when tied to a film not targeted to adult audiences. 1 in 19 countries, and became the best-selling single in 2014 (on top of cleaning up at the Grammys and MTV Movie Awards). Justin Timberlake, “Can’t Stop the Feeling!” Trolls (2016)If you can make it through this sentence without getting last year’s Justin Timberlake jam stuck in your head for the rest of the day, then you are a robot.Sometimes, true power exists in a song’s ability to permeate the cultural sphere and haunt everybody on the planet until we learn to accept its place among us. That a song so rooted in romance and vulnerability could be connected to a something so opposite is a testament to Seal’s songwriting.19. But what made Seal’s track unique was the fact that it was tied to the Batman franchise at all — particularly one of its more ridiculous movies. It scored Grammy wins for Record of the Year, Song of the Year, and Best Male Pop Vocal Performance, and was arguably the best thing to happen because of Batman, minus Tom Hardy helping to reignite the demand for shearling coats. Anr telugu mahanatiLike the best of Springsteen’s material, “Streets of Philadelphia” was observational but lent currency to those he was observing — his subjects weren’t helpless victims, but active participants in their own lives. But where the single was appropriately sorrowful, it wasn’t complacent or dismissive. Bruce Springsteen, “Streets of Philadelphia” Philadelphia (1993)As the title song from Philadelphia, Bruce Springsteen’s single paralleled the feelings that defined Tom Hanks’s character, Andy: feelings of sadness, of grief, and of quiet acceptance. LDR asks, “Will you still love me when I’m no longer young and beautiful?” To which the film itself answers, “As long as you look like Carey Mulligan and Leonardo DiCaprio, yes.”17. And so we get “Young & Beautiful,” The Great Gatsby theme that sums up the way its leads find solace in their prewar personas — despite their own trajectories and realities having taken them far from their long-ago romance. Lana Del Rey, “Young & Beautiful” Great Gatsby (2013)When it comes to the story about a man obsessed with the past, it’s only fitting that Lana Del Rey — a singer with a penchant for nostalgia — deliver the anthem. Thanks to her range, her warmth, and the lyrics that hinted toward impending doom, “Skyfall” injected a sense of maturity into a franchise that’s become increasingly ridiculous, and helped make the characters and plot seem purposeful.14. It was appropriate for a film steeped in nostalgia: from references to trick pens, to the return of Moneypenny, to Bond’s own grown-up approach to death, Skyfall was unique in its self-awareness, and deserved an anthem that matched its mood, which Adele delivered. An important part of Selma’s message of hope and of power.Easily one of the five best James Bond title tracks to exist (in this house, we do not talk about Jack White’s “Another Way to Die”), Adele’s Oscar-winning ballad was an awe-inspiring tribute to the franchise, and particularly to the majesty of Bond singers like Shirley Bassey. Together with Legend’s instrumentals, Common’s lyrics, and the backing choir, “Glory” can be described as the embodiment of just that. Common and John Legend, “Glory” Selma (2014)At the 2015 Academy Awards, we were all Chris Pine, crying while watching Common and John Legend perform “Glory.” And, after the performance (in which the singer and rapper appear in front of a set of Selma’s Edmund Pettus Bridge), the single took home the Oscar for Best Original Song, as it should have. So while much of Philadelphia’s dialogue now feels a bit dated, Springsteen’s song reflects the feeling of the era, as opposed to its conversations or misconceptions, which makes it timeless.16. They used primarily their faces or body language to convey their dialogue, and the film’s single does the same with its slowed-down beat and vocals that can either seem cold and tense (try listening to it when stuck in traffic and late for a meeting) or warm, romantic, and inherently sad (try listening to it while looking at photos of Ryan Gosling).As an aside, it is especially an especially great song to play during any awkward silence.13. Which makes sense, especially since Gosling and co-star Carey Mulligan’s performances were so defined by being quiet. So it shouldn’t be surprising that where so many movie themes are used to inject emotion, “A Real Hero,” diffuses it and leaves space for anyone listening to assign their own feelings.
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